How Small I Feel
How Small I Feel (2020) - 1’
for melodica, toy piano, and piano
commissioned by Hocket
All Star, But It’s…
All Star, But It’s… (2020) - 15’
for electric guitar, percussion, and electronics
commissioned by Miller || Phelps
Fake Music
Fake Music (2019) - 14’
for electro-acoustic ensemble and electronics
commissioned by the Paul Dresher Ensemble
Superhighway
Superhighway (2018) - 10’30”
for percussion quartet and electronics
commissioned by the Los Angeles Percussion Quartet
Hit Subscribe
Hit Subscribe (2018) - 15’
for three electric guitars, electronics, and video
commissioned by the Mobius Trio
User Agreement
User Agreement (2017) - 30’
for soprano, chamber ensemble, and spacialized audio
commissioned by the Digital Arts Center of the College of Arts and Architecture at The University of North Carolina at Charlotte
The Future Made Clear
The Future Made Clear (2017) - 11’
for vocal string quartet
commissioned by Invoke
Latest and Greatest
Latest and Greatest (2015) - 18’
for chamber ensemble and video
commissioned by the Barlow Endowment for Music Composition
O Bury Me Not
O Bury Me Not (2013) - 14’
for bass trombone, chamber ensemble, and electronics
commissioned by the New World Symphony
Straphanger
Straphanger (2012) - 8’
for tenor and baritone saxophones
commissioned by a consortium directed by Ogni Suono
Two Takes Three
Two Takes Three (2011) - 6’
for clarinet, violin, violoncello, and piano
commissioned by Redshift
Drill, Baby, Drill
Drill, Baby, Drill (2010) - 5’
for three saxophones and electronics
commissioned by the Sissy-Eared Mollycoddles
Missa Materialis
Missa Materialis (2010) - 16’
for percussion quartet or trio
commissioned by line upon line and Owen Weaver
Snake Oil Salesman
Snake Oil Salesman (2009) - 5’30”
for tenor, violoncello, bass clarinet, and drum set
commissioned by the Sissy-Eared Mollycoddles
